However, it had to deliver the same quality as the larger three-way monitors and be usable in nearfield and midfield situations, which meant using a similar driver configuration.
#Scm25a pro pro
The design aim for the SCM25A was to fill the obvious gap in the range between the small two-way SCM20ASL Pro and the large three-way SCM 50/100/150ASL Pro models. The SCM25A is ATC's first ever compact three-way active studio monitor, and we've been trying to get hold of a pair to review ever since its launch in 2009! Frustratingly for us, every pair made until now has had several paying customers arguing over who should get the next set, so it's not difficult to see why it's taken a while for a demo pair to be released to us!
#Scm25a pro professional
The majority of ATC's professional monitoring products are fairly large three-way designs - and, having manhandled more than a few SCM50A and SCM100ASL monitors in my time, I can also add that they're heavy! However, the most recent product to be added to the professional portfolio is considerably smaller than its three-way siblings (although it is still surprisingly heavy). The company's first product was a 12-inch bass driver that out-performed everything else available at that time in terms of high power handling and low distortion, and the now famous 75mm soft-dome mid-range driver, introduced two years later, has formed the centrepiece of most of the company's professional monitor range ever since. In that room, I would be mixing on the SCM25As and maybe checking super low end information on the Griffins.These compact speakers from venerable UK manufacturers ATC aren't cheap - but does the quality on offer justify the asking price?īritish manufacturers ATC - the Acoustic Transducer Company - will be celebrating their 40th year of building world-class loudspeakers (and drive units) next year, having been formed by Billy Woodman in 1974. Griffin G1.5s: Really didn't like these! They have a presence bump that makes them instantly grating sounding, and very quickly. not for me.ĪTC SCM150 ASLs: I don't trust the room these are in, the room has a very obvious high frequency up-tilt from reflections. Exciting to listen to at first, but I got tired of them quickly. Treble was sharp and harsh, bass was kind of boomy. Be a fun pair to produce on for sure.īarefoot MM27 (1st gen, with the dome tweeter instead of the ring radiator): These didn't do it for me. A bit of the "cheap hifi boom and sizzle" going on, but not in such a way that mixes would be off-course. Trio11 Bes: These are cool! The low end does not mess around either - it's super clean down to below 40hz easily at sane listening volumes. Kind of remind me of the Adam house sound a bit? In that room, I would be mixing on the SCM25As and maybe checking super low end information on the Griffins. Tons of detail, but not the hyped presence kind of false detail. Effortless, endless volume, great extension, and super even sounding.
SCM200ASL Pros: These are absolute monsters, and they should be for the money.
They're super quick to get mixes sounding great on. Lots of mixers using these makes perfect sense to me. Reverb tails were very easy to pick out, bass:kick relationship was immediately evident.
#Scm25a pro upgrade
May be my upgrade path from the KH310s if that ever is in the cards. Reminded me of the KH310s but with a slight mid bump. Not much low end extension, but extremely clean as low as they went (ballpark 40hz). Slightly mid forward, but only a very little bit. I used the same music with all of them as a reference point - in particular, Leprous's 2019 album "Pitfalls". My reference speakers are my home studio's KH310s. This is not at all scientific no controls were present, so you'll just have to roll with it. Within the last two to three days I had the opportunity to compare some very big name (and some of them just plain very big) studio monitors.
0 kommentar(er)
